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Enhanced descriptions from Syndetics:

Dr. Tony Hill and Detective Chief Inspector Carol Jordan return in the award-winning series that is the basis for the hit show on BBC America.<br> <br> In a small grim room, the body of a woman is discovered, panic and pain etched in her face. The scene matches in every detail a series of murders two years ago-murders that ended when irrefutable forensic evidence secured the conviction of a deeply disturbed young man named Derek Tyler.<br> <br> But there's no way Tyler could have killed the latest victim. He's been locked up in a mental institution since his trial, barely speaking a word. So is there a copycat?<br> <br> All his years of experience tell top criminal psychologist Dr. Tony Hill that there isn't-but that would make the murders literally impossible. While Hill tries to crack Tyler, DCI Carol Jordan and her team must mount a desperate undercover operation to trap the murderer-a decision that will have terrible consequences.<br> <br> As the tension mounts, a mixture of psychological insight and dogged detective work leads inexorably to a terrifying climax where Tony faces one of the most perverse killers he has ever encountered.<br>

$24.95 5-2005 (SPM)

Excerpt provided by Syndetics

<opt> <anon I1="BLANK" I2="BLANK">Chapter 1 Find them in the first six hours or you're looking for a corpse. Find them in the first six hours or you're looking for a corpse. The missing children mantra mocked Detective Inspector Don Merrick. He was looking at sixteen hours and counting. And counting was just what the parents of Tim Golding were doing. Counting every minute that took them further from their last glimpse of their son. He didn't have to think about what they were feeling; he was a father and he knew the visceral fear lying in wait to assail any parent whose child is suddenly, unaccountably not where they should be. Mostly, it was history in a matter of minutes when the child reappeared unscathed, usually grinning merrily at the panic of its parents. Nevertheless it was history that left its mark bone deep. And sometimes there was no relief. No sudden access of anger masking the ravages of ill-defined terror when the child reappeared. Sometimes it just went on and on and on. And Merrick knew the dread would continue screaming inside Alastair and Shelley Golding until his team found their son. Alive or dead. He knew because he'd witnessed the same agony in the lives of Gerry and Pam Lefevre, whose son Guy had been missing now for just over fifteen months. They'd dragged the canal, combed the parks and wasteland within a two-mile radius, but not a trace of Guy had ever surfaced. Merrick had been the bagman on that inquiry, which was the main reason why he'd been assigned to Tim Golding. He had the knowledge to see whether there were obvious links between the cases. But beyond knowledge, his instincts already nagged that whoever had snatched Guy Lefevre had now claimed his second victim. He leaned against the roof of his car and swept the long curve of the railway embankment with binoculars. Every avail­able body was down there, combing the scrubby grass for any trace of the eight-year-old boy who had been missing since the previous evening. Tim had been playing with two friends, some complicated game of make-believe involving a superhero that Merrick vaguely remembered his own sons briefly idolizing. The friends had been called in by their mother and Tim had said he was going down the embank­ment to watch the freight trains that used this spur to bring roadstone from the quarry on the outskirts of the city to the railhead. Two women heading for the bus stop and bingo thought they'd caught a glimpse of his canary yellow Bradfield Victoria shirt between the trees that lined the top of the steep slope leading down to the tracks. That had been around twenty to eight. Nobody else had come forward to say they'd seen the boy. His face was already etched on Merrick's mind. The school photograph resembled a million others, but Merrick could have picked out Tim's sandy hair, his open grin and the blue eyes crinkled behind Harry Potter glasses from any line-up. Just as he could have done with Guy Lefevre. Wavy dark brown hair, brown eyes, a scatter of freckles across his nose and cheeks. Seven years old, tall for his age, he'd last been seen heading for an overgrown stand of trees on the edge of Downton Park, about three miles from where MerrickAMILY: 'Times New Roman'" was standing now. It had been around seven on a damp spring evening. . Guy had asked his mother he could go out for another half-hour's play. He'd been looking for birds' nests, mapping them obsessively on a grid of the scrubby little copse. They'd found the grid two days later, on the far edge of the trees, crumpled into a ball twenty yards from the bank of the disused canal that had once run from the railhead to the long­-silent wool mills. That had been the last anyone had seen of anything connected to Guy Lefevre. And now another boy seemed also to have vanished into thin air. Merrick sighed and lowered the binoculars. They'd had to wait for daylight to complete their search of the area. They'd all clung to a faint hope that Tim had had an acci­dent, that he was lying somewhere injured and unable to make himself heard. That hope was dead now. The frustra­tion of having no leads bit deep. Time to round up the usual suspects. Merrick knew from past experience how unlikely it was to produce results, but he wasn't prepared to leave any avenue unexplored. He pulled out his mobile and called his sergeant, Kevin Matthews. 'Kev? Don here. Start bringing the nonces in.' 'No sign, then?' 'Not a trace. I've even had a team through the tunnel half a mile up the tracks. No joy. It's time to start rattling some cages.' 'How big a radius?' Merrick sighed again. Bradfield Metropolitan Police area stretched over an area of forty-four square miles, protecting and serving somewhere in the region of 900,000 people. According to the latest official estimates he'd read, that meant there were probably somewhere in the region of 3,000 active pedophiles in the force area. Fewer than ten percent of that number was on the register of sex offenders. Rather less than the tip of the iceberg. But that was all they had to go on. 'Let's start with a two-mile radius,' he said. 'They like to operate in the comfort zone, don't they?' As he spoke, Merrick was painfully aware that these days, with people commuting longer distances to work, with so many employed in jobs that kept them on the road, with local shopping increasingly a thing of the past, the comfort zone was, for most citizens, exponentially bigger than it had ever been even for their parents' generation. 'We've got to start somewhere,' he added, his pessimism darkening his voice. He ended the call and stared down the bank, shielding his eyes against the sunshine that lent the grass and trees below a blameless glow. The brightness made the search easier, it was true. But it felt inappropriate, as if the weather was insulting the anguish of the Goldings. This was Merrick's first major case since his promotion, and already he suspected he wasn't going to deliver a result that would make anybody happy. Least of all him. Copyright 2005 by Val McDermid Excerpted from The Torment of Others: A Novel by Val McDermid All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.</anon> </opt>

Reviews provided by Syndetics

Library Journal Review

In this novel, McDermid pits detective chief inspector Carol Jordan and Dr. Tony Hill against an apparent copycat serial killer. As a clinical psychologist and criminal profiler, Tony says that this type of copycat crime is impossible, but this would mean the Bradfield police have locked up the wrong man. The award-winning author continues to keep this series (e.g., The Mermaids Singing) interesting through developing the relationships among the characters and providing nonstop action and edge-of-the-seat suspense. Gerard Doyle's narration is superb. McDermid proves that British authors are familiar with the violent world of serial crimes and can certainly write gripping and entertaining psychological thrillers. Highly recommended for all public libraries.-Theresa Connors, Arkansas Tech Univ., Russellville (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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