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As good as gone : a novel /

by Watson, Larry [author.].
Material type: materialTypeLabelBookPublisher: Chapel Hill, North Carolina : Algonquin Books of Chapel Hill, 2016.Edition: First edition.Description: 341 pages ; 24 cm.ISBN: 9781616205713; 1616205717.Subject(s): Grandfathers -- Family relationships -- Fiction | Grandparent and child -- Fiction | Dysfunctional families -- Fiction | Montana -- Fiction | Domestic fictionSummary: "Calvin Sidey is a cowboy of the old-school, no-guff sort--steely, hardened, with his own personal code. It's the 1960s, and he's living off the grid in a stifling trailer on the prairie when his adult son, Bill, seeks his help. A mostly absentee father, and a virtual no-show as a grandfather, Calvin nevertheless reluctantly agrees to stay with his grandchildren for a week. He decamps for his son's dark and musty basement, to the small town where he once was a mythic figure, and soon enough problems arise: a boy's attentions to seventeen-year-old Ann are increasingly aggressive, and a group of reckless kids portend danger for eleven-year-old Will. Calvin only knows one way to solve a problem: the Old West way, in which scores are settled, ultimatums are issued, and your gun is always loaded. In the changing culture of the 1960s, Calvin isn't just a relic, he's a wild card and a threat." Provided by publisher.
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Enhanced descriptions from Syndetics:

"Honest, warm, humane, and at times shocking, As Good as Gone is an achievement of empathy and dignity." --Smith Henderson, author of Fourth of July Creek <br> <br> Calvin Sidey is always ready to run, and it doesn't take much to set him in motion. As a young man, he ran from this block, from Gladstone, from Montana, from this country. From his family and the family business. He ran from sadness, and he ran from responsibility. If the gossip was true, he ran from the law. <br> <br> It's 1963, and Calvin Sidey, one of the last of the old cowboys, has long ago left his family to live a life of self-reliance out on the prairie. He's been a mostly absentee father and grandfather until his estranged son asks him to stay with his grandchildren, Ann and Will, for a week while he and his wife are away. So Calvin agrees to return to the small town where he once was a mythic figure, to the very home he once abandoned. <br> <br> But trouble soon comes to the door when a boy's attentions to seventeen-year-old Ann become increasingly aggressive and a group of reckless kids portend danger for eleven-year-old Will. Calvin knows only one way to solve problems: the Old West way, in which scores are settled and ultimatums are issued and your gun is always loaded. And though he has a powerful effect on those around him--from the widowed neighbor who has fallen under his spell to Ann and Will, who see him as the man who brings a sudden and violent order to their lives--in the changing culture of the 1960s, Calvin isn't just a relic; he's a wild card, a danger to himself and those who love him.<br> <br> In As Good as Gone, Larry Watson captures our longing for the Old West and its heroes, and he challenges our understanding of loyalty and justice. Both tough and tender, it is a stunning achievement.<br> <br>

"Calvin Sidey is a cowboy of the old-school, no-guff sort--steely, hardened, with his own personal code. It's the 1960s, and he's living off the grid in a stifling trailer on the prairie when his adult son, Bill, seeks his help. A mostly absentee father, and a virtual no-show as a grandfather, Calvin nevertheless reluctantly agrees to stay with his grandchildren for a week. He decamps for his son's dark and musty basement, to the small town where he once was a mythic figure, and soon enough problems arise: a boy's attentions to seventeen-year-old Ann are increasingly aggressive, and a group of reckless kids portend danger for eleven-year-old Will. Calvin only knows one way to solve a problem: the Old West way, in which scores are settled, ultimatums are issued, and your gun is always loaded. In the changing culture of the 1960s, Calvin isn't just a relic, he's a wild card and a threat." Provided by publisher.

Excerpt provided by Syndetics

<opt> <anon I1="BLANK" I2="BLANK">A tall, lean, white-haired man stands in the open doorway of a twenty-foot house trailer, his hands jammed in the pockets of his faded Levis. Calvin Sidey, Bill's father. A hawk with prey in sight could not watch more intently. Bill parks next to the familiar old Ford truck, yet his father makes no move to come forward. Bill climbs out of the car, and when he slams the door behind him, it sets up an echo that bounces from one canyon wall to the other. He lives here, Bill thinks, so he can see the enemy approach. It's the same thought he's had on the other occasions when he's driven out to his father's home, but this time Bill wonders if even he has that status in his father's eyes. His father calls out warily, "I didn't know you were coming." To that Bill has no response. His father doesn't have a telephone. He picks up his mail no more than once or twice a week. How could anyone, son or stranger, notify Calvin Sidey of an impending visit? His father tries again. "What brings you out this way?" And that's Calvin Sidey in a sentence: Let's get to it. Well, that suits Bill, too. When he looks toward his father, Bill has to shield his eyes against the sun glinting off the trailer's aluminum siding. "I've got a favor to ask." His father steps back inside the trailer, but since he doesn't shut and lock the door behind him, Bill understands that he's supposed to follow. The trailer's interior, even with windows open on every side, must be fifteen degrees hotter than the July afternoon that's already topped ninety degrees. "Can I get you a cup of coffee?" his father asks. "Coffee? Jesus. No. A glass of water? Please." The trailer is exactly as Bill remembers it. It's likely that nothing more than the calendar page has changed since Bill was last here, though he can't recall when that might have been. His father has his life stripped down to the essentials, and for everything that's left, he has a hook, shelf, bin, drawer, peg, or rack. Bill guesses that in the cupboard there are no more than one or, at most, two plates, bowls, glasses, and cups. In the same cupboard there will be a can of coffee, a box of oatmeal, a few cans of soup and beans, lard, crackers, flour, sugar, salt, and pepper. Above the two-burner stove hang a saucepan and a frying pan. On a shelf above the neatly made bed is a short row of books, and though Bill can't see the titles, he doesn't have to. These are his father's copies of Virgil, Horace, Juvenal, Ovid, Cicero, Catullus, and Pliny. The homemade gun rack above the door holds his Winchester lever-action .30-30, a twelve-gauge Remington pump shotgun, and a fishing pole. And there's that calendar, hanging right next to the door. It's this year's, and the page is turned to the correct month, but Bill wonders if his father knows the date. Even if he does, the day surely doesn't mean "holiday" to him the way it does for most Americans, though it's hard to imagine a man who values independence more than Calvin Sidey. Bill stands by the small kitchen table, but since his father has not invited him to sit down, Bill doesn't pull out one of the two chairs. And why two, Bill wonders, since his father lives alone and never has guests? From a pitcher on the counter Calvin Sidey pours water into a glass and then sets the glass on the table next to an open book. Bill can't decipher any of the words on the page because the book is in Latin, a subject Bill never studied in school but that his father has never stopped studying and translating. Also on the table is an ashtray containing a few butts of hand-rolled cigarettes. Bill brings the glass to his lips and drinks. The water isn't very cold and it has a brassy odor. "Why don't you move this trailer, Dad? That stand of cottonwoods can't be more than fifty yards away, and if you were parked over there, you'd have some shade." His father crosses his arms. "You said you had a favor to ask." Bill is sweating in these close quarters, and he loosens his tie and collar. "Marjorie needs an operation." "Uh-huh." "She has to have a hysterectomy. It's an operation to--" "I know what a hysterectomy is. What I don't know is why you felt you had to come out here and tell me about it in person. How serious is this?" "She has . . . not tumors, exactly. But growths, painful growths." "All right," his father says. "I'm sorry to hear this. But you drove all the way out here . . . What's the favor you need?" "Do you mind if I sit down?" Bill asks, and then pulls out a chair before his father can answer. There's an odor in the trailer that Bill can't quite place, a smell reminiscent of gasoline or fresh paint. He looks around to see if his father has recently painted or varnished something. Then it comes to him. Kerosene. Lacking electricity, his father relies on candles or kerosene lamps. It's 1963, but in many ways his father is living in the nineteenth century. Of course it's stifling inside the trailer, Bill thinks. His father doesn't even have a fan to stir the heat or a refrigerator to keep food cold. And not far from the trailer is an outhouse. "There's a doctor in Missoula who'll perform the operation," Bill says. "Carole--you remember Marjorie's sister?--had the same condition as Marjorie. Same symptoms. Same tests. Apparently it's something that runs in the family. And Carole had the surgery. Before then, she'd tried everything, and she says if it wasn't for the operation, she'd still be suffering." "Most women would just bite down hard and wait for the misery to pass. Which it will." " Most women?" "In my experience." "Something of an expert, are you, Dad?" His father ignores this question. "Marjorie has to go to Missoula? I know Gladstone's got doctors who can perform a hysterectomy." Bill has to smile. His father is still loyal to Gladstone, though he turned his back on the town almost thirty years ago. "How about Mitch McCoy?" his father says. "Last I heard he was still practicing." "The last you heard? When was that? Dr. McCoy is in a nursing home in Miles City." "Mitchell McCoy? Are you sure?" The heat, the long drive, his father's questions . . . Bill Sidey suddenly feels tired. He leans on his hand and rubs his eyes. "Yeah, Dad. I'm sure. Look, I can't pretend to explain it very well. Apparently the Missoula doctor has a special procedure. He doesn't take out the entire womb or something. The point is, Marjorie wants the operation. She needs the operation." "And I reckon you're all set for her to have what she needs." "We're leaving in a few days." "Uh-huh." Bill inhales deeply and then exhales, but the heat seems to prevent his breath from traveling far. "That's what I wanted to ask you about, Dad. Would you be willing to stay with the kids while Marjorie and I are in Missoula?" His father involuntarily takes a step back. "Have you spoken to your sister about this?" "Jeanette and I have sort of lost touch. I assume she's still in New Hampshire. We send the Christmas and birthday cards there and they don't come back undeliverable. Of course, we don't get any acknowledgment from her either. How about you?" Bill asks, though he's certain of the answer. "Do you hear from her?" His father gives a quick shake of his head. "What I'm asking you for," says Bill, "wouldn't be more than a week. At most." "You're traveling in a few days, you say?" He's trying to find a way to say no, Bill thinks. He's out of practice, and he can't find a reason quick enough. Why doesn't he come right out and say it--they're not my kids or my responsibility. He could say it when the children were his own, so what's stopping him now? Suddenly, Bill, who all his life has felt diminished in this man's presence, feels an odd surge of power. "Ann and Will," says Bill. "In case you're trying to recall their names. Ann's seventeen and Will's eleven." "I know my grandchildren's names." "Ann's working at J. C. Penney this summer," Bill continues. "That's why I'm asking you for this favor. Ordinarily Ann could take care of her brother. And take care of the house. But with the hours she's working, Will would be alone too much of the day." From out of his shirt pocket, his father takes a packet of cigarette papers, and when he looks around for his tin of Sir Walter Raleigh, Bill hurries to offer his father one of his own Camels. The men light their cigarettes, and while this action has given his father an extra minute to think, it's less time than he would have had rolling his own. "Have you been working, Dad?" There, Bill thinks. He has opened a door through which his father can escape. He can simply excuse himself by saying he has the obligations of a job. "Not since last fall," his father says. "I helped George Tell move his herd down from summer pasture. I'm sure he moved them back up last month, but I didn't hear from him. Before that? I don't recall." "We could hire a babysitter," Bill says. "A college girl home for the summer perhaps. Though that might embarrass Ann, someone there so close to her age. Or maybe we could find a farm girl. But you know the house, Dad. And the business. And you're--" Bill isn't sure why he suddenly stops short of uttering the word, especially since it's the word that he came here to say to his father. "I'm what?" "Family," says Bill, relieved that the word didn't snag on the way out. His father draws deep on the Camel, lets the smoke drift from his nostrils, and then examines the cigarette as if he's never smoked a tailor-made before. "When did you say you're leaving?" he says. "Sunday. Right after church. And Dad? I'm not asking you to do anything with the kids. Just to be there. Just in case." His father walks to the trailer door, opens it, and flicks his cigarette outside. "I'll be there Saturday," he says. His father remains in the doorway, his hand on the handle of the screen door. Just as Bill understood earlier that he was supposed to follow his father inside the trailer, now he understands that he's expected to leave. "I'll look for you then," Bill says. He steps out into the shadowless sunlight, and though the air's not moving outside the trailer any more than it was inside--it's the rare calm day in this part of Montana--Bill feels as though his first breath outdoors goes right to the bottom of his lungs. "And Bill," his father calls after him. "Don't put anyone out of their room. I'll fix up a little space in the basement." "The basement? Dad . . ." "It'll be cooler down there." Cooler? Bill thinks but doesn't say. Yet you live here? "And it'll give me some privacy," his father adds. Privacy for what? Bill thinks. "Whatever you say, Dad. I'll see you Saturday." Excerpted from As Good As Gone: A Novel by Larry Watson All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.</anon> </opt>

Reviews provided by Syndetics

Library Journal Review

Watson's stunning novel of the Sidey family is set in the turbulent Sixties in the prairie town of Gladstone, MT. Crusty old Calvin lives off the grid outside of town, staying away from anyone who might remember his mix-up with the law. Calvin's son Bill runs the family real-estate business. Despite their precarious relationship, Bill screws up the courage to ask Calvin to stay at the house with daughter, Ann, and son, Will, while Bill and his wife, Marjorie, head to Missoula for Marjorie's surgery. Calvin arrives with a small suitcase, a pint of Canadian Club whiskey, a box of ammunition, and a Colt .45. He can't help but apply his code-of-the-West justice when one of Bill's renters reacts to an eviction notice by storming the house with threats, or when Ann is being stalked by an aggressive boyfriend with whom she wants nothing. Even a romantic liaison with a widowed neighbor doesn't soften Calvin. He's a relic who doesn't fit in. He walks out, returning to his solitary life, little realizing the significant effect he had on those around him. VERDICT Having received numerous awards for his fiction, Watson (Montana 1948) is sure to win more praise for his powerful characterizations in the manner of Kent Haruf and Ivan Doig. Readers won't get a novel any better than this. [See Prepub Alert, 12/14/15.]-Donna Bettencourt, Mesa Cty. P.L., Grand Junction, CO © Copyright 2016. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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