Item type Home library Collection Shelving location Call number Status Date due Barcode
Books Books Altadena Main Library
Adult Collection Adult NonFiction 822.33 A2A Available 39270002560914

Enhanced descriptions from Syndetics:

In 16th century England many loyal subjects to the crown were asked to make a terrible choice: to follow their monarch or their God. The era was one of unprecedented authoritarianism: England, it seemed, had become a police state, fearful of threats from abroad and plotters at home. This age of terror was also the era of the greatest creative genius the world has ever known: William Shakespeare. How, then, could such a remarkable man born into such violently volatile times apparently make no comment about the state of England in his work?<p> He did. But it was hidden. Revealing Shakespeare's sophisticated version of a forgotten code developed by 16th-century dissidents, Clare Asquith shows how he was both a genius for all time and utterly a creature of his own era: a writer who was supported by dissident Catholic aristocrats, who agonized about the fate of England's spiritual and political life and who used the stage to attack and expose a regime which he believed had seized illegal control of the country he loved.<p> Shakespeare's plays offer an acute insight into the politics and personalities of his era. And Clare Asquith's decoding of them offers answers to several mysteries surrounding Shakespeare's own life, including most notably why he stopped writing while still at the height of his powers. An utterly compelling combination of literary detection and political revelation, Shadowplay is the definitive expose of how Shakespeare lived through and understood the agonies of his time, and what he had to say about them.

Includes bibliographical references (p. [301]-331) and index.

$26.95 7-2005 (db)

Reviews provided by Syndetics

Library Journal Review

Written by a Shakespearean scholar who has contributed to publications like the Times Literary Supplement, this provocative book centers on the premise that Shakespeare was a secret Roman Catholic who encoded his writings with subversive political messages. Readers should note that there is currently no solid proof of Shakespeare's religious and political attitudes-not from Shakespeare himself or his contemporaries; Asquith's chronological analyses of the major plays are an outgrowth of a recent trend in English history viewing the English Reformation as a period of government oppression, coercion, and persecution against a people reluctant to abandon their old faith. Unless readers accept Asquith's idea on faith, they will not be convinced, even if they are transported to the Bard's era. Given that lack of evidence, this can be recommended only as a source to stimulate lively debate in academic and large public libraries.-Shana C. Fair, Ohio Univ. Lib., Zanesville (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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