The things she's seen /

by Kwaymullina, Ambelin [author.]; Kwaymullina, Ezekiel [author.].
Material type: materialTypeLabelBookPublisher: New York : Alfred A. Knopf, [2019]Edition: First American edition.Description: 197 pages : illustrations ; 22 cm.ISBN: 9781984848789; 198484878X.Other title: Things she has seen.Subject(s): Ghost stories | Future life -- Fiction | Fathers and daughters -- Fiction | Fires -- Fiction | Australia -- Fiction | Ghosts -- Fiction | Fathers and daughters -- Fiction | Fires -- Fiction | Australia -- Fiction | Mystery and detective stories | Young adult fictionSummary: The ghost of a girl who recently died in an accident makes contact with her grieving father to help solve a mystery in a remote Australian town, where a girl who speaks entirely in riddles is the only witness to a fatal fire.
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Young Adult Collection Young Adult New Book Shelf YA M KWA Available 39270004880500

Enhanced descriptions from Syndetics:

This brilliantly written thriller explores the lives--and deaths--of two girls, and what they will do to win justice. Sure to be one of the most talked-about books of the year! <br> <br> Nothing's been the same for Beth Teller since the day she died.<br> <br> Her dad is drowning in grief. He's also the only one who has been able to see and hear her since the accident. But now she's got a mystery to solve, a mystery that will hopefully remind her detective father that he needs to reconnect with the living.<br> <br> The case takes them to a remote Australian town, where there's been a suspicious fire. All that remains are an unidentifiable body and an unreliable witness found wandering nearby. This witness speaks in riddles. Isobel Catching has a story to tell, and it's a tale to haunt your dreams--but does it even connect to the case at hand?<br> <br> As Beth and her father unravel the mystery, they find a shocking and heartbreaking story lurking beneath the surface of a small town.

"A Borzoi Book."

The ghost of a girl who recently died in an accident makes contact with her grieving father to help solve a mystery in a remote Australian town, where a girl who speaks entirely in riddles is the only witness to a fatal fire.

Excerpt provided by Syndetics

<opt> <anon I1="BLANK" I2="BLANK">My dad looked like crap. His blond hair was flat and grubby, and his skin seemed too big for his bones. The muscly, tanned guy who'd built me a two-story tree house when I was a kid had been replaced by a pale shell of a man who didn't build anything. You'd think it would be me who looked different. Dad said I didn't. I couldn't tell, since I didn't cast a reflection anymore. But if I looked the same, then the face smiling out from the pictures on the walls of our house must still be my face: curly dark hair, round cheeks, brown skin like Mum's, and blue eyes like Dad's. Only I didn't smile as much now.   Dad barely smiled at all.   He pressed his hand to his chest, out of breath from climbing up this rocky hill. There were a bunch of rock formations like this one around here, rising up from a flat red plain that was dotted with trees. I liked the trees. They were old and white and twisty, spiraling upward to fling out their leaves as if they were hoping to touch the sky. I liked the sky too; there seemed to be more of it here than in the city. There were no buildings to block it out. No big ones, anyway. We could see much of the town from where we stood: a sprawl of houses surrounded by the scattered trees, with a long river to the north. The town was covered in the same dust that coated everything, including our car and my dad's rumpled shirt and pants. The dust hadn't touched my clothes, of course. My dress would always be as yellow and crisp as it had been on the day Aunty Viv drove me to the birthday party.   Dad took a step closer to the edge of the hill, gazing outward.   "I don't think you're going to solve the case from up here," I told him.   His gaze shifted in my direction. His eyes were bright with tears. Sometimes he couldn't even look at me without sobbing. Today the tears didn't fall. But I could hear them in his voice when he said, "I miss you, Beth."   "I'm right here, Dad."   Except we both knew I wasn't. At least, not in the way he wanted me to be.   The accident had happened so fast. One minute I'd been sitting in Aunty Viv's sedan, everything normal. Then I'd heard the four-wheel drive plowing through the bushes as it tore down the embankment. I'd looked up to see it hurtling at me, and . . . nothing. I didn't remember the actual dying part.   In fact, I felt as if I was still a living, breathing girl. Right now, for instance, I could see the town, hear the wind, smell the eucalyptus from the trees, and taste the gritty dust. I just couldn't touch any of it.           This wasn't how I'd imagined being dead, not that I'd ever spent much time thinking about it. But Mum had died when I was just a baby, and her two sisters--Aunty Viv and Aunty June--had always told me I'd see her again. Aunty June reckoned that Mum was "on another side." Her husky voice echoed through my memory: This world's got a lot of sides, like those crystals your Aunty Viv hangs in her window, and your mum's just on a different side to us. So I'd always figured that when I passed over to another side, Mum would be there to meet me.   She hadn't been. But I sometimes had a sense that she was waiting somewhere ahead--I'd be seeing her, I knew it. What I didn't know was exactly when. The when didn't matter so much, though, since I didn't count minutes or hours anymore. Days began when the sun rose and ended when it set. In between, the connections I made--like the ways I helped my dad, or didn't help him--were what told me if I was moving forward or backward. As my Grandpa Jim had once said to me, Life doesn't move through time, Bethie. Time moves through life.   Dad was staring at me with the lost expression I'd come to hate. I waved encouragingly at the town. "Why don't you go investigate?"   He stared for a moment longer. Then he turned away and wiped at his eyes, focusing his attention on the houses below us.   "I am investigating. I'm getting a sense of the place." His voice was raspy. He drew in a deep breath, and added in a more even tone, "It reminds me of where your mum and I grew up." His mouth twisted as if he'd tasted something bad. "Local police officers can have a lot of power in a place like this."   He was thinking about his father. My grandpa on Dad's side--who I'd never actually met--had been a cop for thirty years, and he wasn't a good guy. Dad said his old man thought the law was there to protect some people and punish others. And Aboriginal people were the "others."   Grandpa and Grandma Teller had thrown Dad out when he started seeing Mum, and they'd never wanted anything to do with me, their Aboriginal granddaughter.   "Do you think there are police like your dad in this town?" I asked.   "Maybe. Maybe not. Places like this are changing. Places everywhere are changing. Slowly, but it's happening." He sighed and shook his head. "I'm just not sure there's anything here to investigate."   I didn't like the sound of that. I needed Dad to be interested in this case. My father was stuck in grief like a man caught in a muddy swamp. I had to get him to walk forward until he'd left the mire behind. Otherwise he'd just keep sinking until the water swallowed him.   "Someone did die in that fire," I pointed out.   That was why Dad was here, because an inferno had engulfed a children's home and killed . . . well, somebody. The body had been burned too badly to identify, so the cops were working on getting DNA or dental records to find out who it was. But at least it wasn't one of the kids.   They'd all escaped, which I was glad about; the littlest was only ten, same age as my cousin Sophie.   "You can't give up on this case before you even know who's dead," I told him.   "The only people living in that place besides the kids were the home's director and the nurse. So it's likely one of them," Dad replied. "Probably the nurse, because he was tall, and so is our corpse."   "Then what happened to the director?" I demanded. "There were no other bodies, so he can't be dead. Which means he's vanished. Very mysteriously."   "The local police might have found him in the time it took us to drive here," Dad said. "Don't go overcomplicating this, Beth. The fire was likely accidental, remember."   "You don't know that for certain! The faulty wiring is only a . . . What did they call it? 'Preliminary assessment'?"   Dad snorted. "Preliminary or not, the local cops could've handled all of this. At least until there was more information." He gave a frustrated shake of his head. "I've only been sent here because of Oversight."   Oversight was the name of an initiative the government had introduced after a series of bungled murder investigations. Whenever there was a possible homicide, an experienced senior detective had to look things over to make sure it was all being done right. Dad had lots to say about how the money put into Oversight should've been spent on more resources and better training instead.   Except Oversight wasn't really why he was here. Dad's boss, Rachel, thought Dad was still grieving and not ready for anything too difficult yet. I knew because I'd followed Dad around the police station and listened to what people were saying after he'd left a room. Rachel had figured she was doing him a favor by giving him an easy assignment. She was wrong. My father needed a real mystery. Something to solve. Something to do. Excerpted from The Things She's Seen by Ambelin Kwaymullina, Ezekiel Kwaymullina All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.</anon> </opt>

Reviews provided by Syndetics

Horn Book Review

Tapsell provides a gripping performance of the Kwaymullinas' Australia-set crime story about a mysterious fire at a children's home, which is being investigated by a grieving detective, a most unlikely sidekick (his deceased daughter, now a ghost), and a mysterious witness named Isobel Catching. The narrator is adept at modulating her voice to fit two distinct female points of view while capturing a wide range of diction, from teenaged defiance to suspenseful whispers to horrified realizations. The surprising ending turns this expertly narrated edge-of-your-seat thriller into a captivating metaphorical story of the historical separation of children from their Aboriginal families. An author's note touches on Aboriginal storytelling methods. Julie Hakim Azzam November/December 2019 p.126(c) Copyright 2019. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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